29 August 04
Rendering Dimension
We all drew as children. The question Peter Steinhart asks in The Undressed Art: Why We draw is why we stop.
Many give up because they think they aren’t good enough, or it doesn’t make any sense when there are so many other things to do. But Steinhart thinks it’s what makes us uniquely human.
The camera, and now the computer, have played their part in destroying drawing as a discipline, yet they have nothing on abstract expressionism. Generations have lost the skill of drawing.
And yet: life drawing classes and studios are filled to capacity.
Reading this book makes me ache to get back into a dusty room with twenty other people, charcoal dust swilling around, looking at a human figure and puzzling how to get it down on paper. I think I’ll try the Davis open studio this fall. If I’m no good it doesn’t matter: there’s nothing else that can get me to see as hard as that.
This post is the 500th on Feathers of Hope, eighteen months and counting.
Previous: The Not-Santa-Annas Next: Fearing Safety

Here’s to the next 500.
Am going to go to the life drawing class offered by the Experimental college, hopefully during the Winter Quarter.
Good luck with open studio—that is the best way to spend autumn afternoons.