21 August 04

Another Sketching Jaunt

Today Numenius and I took a trip to a zoo we hadn’t visited before: the one in Folsom. This was a refreshing change from previous zoos we’d been to; the focus is entirely on providing a safe home for mostly California-native animals that would either not have made it in the wild or would have had to have been destroyed. There are several camp-marauding bears, injured raptors, foxes, wolves, wolf/dog hybrids, tigers rescued from an illegal breeder (who apparently had 60 large cats in an area maybe three of them could have lived in comfortably), bunnies and chickens rescued from overzealous Easter gift-bearing relatives, ferrets, and so on. Peacocks, including an interesting male albino, supervised all day. The reason we went, though, is so I could do some studies of mountain lions.

I wish I had access to an inexhaustible warehouse of high-quality photographs of wildlife I could use whenever I needed an image for a project at work. We have a couple of good shots here and there, but you don’t want to overuse these. Plus, I could never get a photo of what it is I want—a mother looking out, two cubs playing—in the order and so on. I’ll have to do it myself.

pumas.jpgMy illustration teacher used to tell us to be sure to get a variety of pictorial references before starting a project. Photos should be a last resort. Live was always best, she said; video’s pretty good (funky pause buttons make an animal almost seem to be in motion); taxidermy and skeletons have their uses. But live is certainly best (and most challenging). Although the Folsom Zoo currently has no mountain lion cubs, I was able to see things in these animals I’d never noticed before. Our kittens are structurally similar but there are important differences; the mountain lion, though small for a large cat, is massive and moves heavily (though a couple of pounces showed us how little chance you’d have to get away if one decided you were somehow superfluous).

Above is a group of sketches I reworked when we got home this afternoon, a combination of watercolor pencil and watercolor.

Posted by at 07:21 PM in Design Arts | Link |
  1. I’m selfishly pleased that you don’t have access to that ideal warehouse of photographs, just because I love your sketches, and, too, the insights you’ve gleaned from carefully studying the lions. They are incredible creatures: weighty is almost an understatement. The difference between housecats and mountains lions is like the difference between water and mercury.

    Siona    21. August 2004, 21:33    Link
  2. Actually, Siona, I think you’ve hit on a really important point. If I didn’t HAVE to get these lions right-because I’m going to be doing a couple of illustrations for my boss whose idea of an interesting weekend is to put himself and a sleeping bag inside a lion-proof cage and sleep beside a lion’s cached kill, just to see if the presence of humans affects whether or not it will return to the spot, and let’s just say he’d know if the jaw was too big, or the eyes wrong-I’d probably have looked a little less intently. In other words, it’s entirely possible we’d have still gone sketching yesterday morning, but I don’t think the degree of intensity would still have been there for me.

    Pica    22. August 2004, 05:42    Link
  3. Yes, it always helps to have the pressure of a project! Nice post. Sounds like the kind of zoo i might almost feel comfortable in.

    dave    22. August 2004, 16:12    Link
  4. Watch your kittens as they grow older. It will never be exactly matching the leonine movement—but you will find little tigers and panthers in moments around your home as they mature.



    Anita    23. August 2004, 14:31    Link

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